Hymn to Welcome
When you get to saturn
It will all come clear
You will leave your memories here
Billion miles you came so far
But you still got a long way to go
Gaze upon majestic rings
Made of bits of everything
To them you will add the names
Of everything you loved
Hymn to the Record
Each bond dissolves
As each life resolves
And, yes, you feel the pain
As you move to another plane
This is the gate
The point of no returning
The resting place
Of all you leave behind
I’m never gonna see you again
I’m never gonna see you again
I’m never gonna see you again
I’m never gonna see you again
I’m never…
How did you live?
What did you give to others?
These are the questions of time
Memories of love
Or the absence of love
Are what you leave behind
This record spins
The rings record the stories
Now, please share yours…
[Mother’s voice:]
I remember when we two were one
Swimming in the deep of me
Our hearts beat in symmetry
Honey flowed to you from me
I remember when we two were two
Walking hand in hand to school
Comforting your weary tears
Holding fast across the years
I can see my face in yours
Feel me in your deep belief
That people can be kinder
Why are they not kinder?
I remember when you held my hand
As we counted down my breaths
Now I draw our names together
In the rings of Saturn
I’m never gonna see you again
I’m never gonna see you again
I’m never gonna see you again
I’m never gonna see you again
I’m never…
In these two songs I imagine SATURN as the celestial gate, the point of no returning for a soul leaving Earth. The first, “Hymn to Welcome” imagines a chorus of Saturn’s moons offering their instructions. The second, “Hymn to the Record” is a conversation between son and mother’s soul as the latter reaches the great rings. May these songs provide a space for all who are mourning losses and standing in awe of life itself and the Saturnian lessons of death.
“…That ability to look back only comes with time and it only comes with wisdom. And that is the true relationship that one can have with Saturn—that through experience, we’re actually able to see the arc of what we’ve been through and really understand, “I have moved through something that actually seems difficult, but it has created the foundation for now, on which I stand.”
—Oak, in this edition of Constellation Conversations
Oak teaches how to see clearly.
They are certified by the NCGR-Professional Astologiers Alliance and have had their successful astrology consultation practice for the past 7 years. They have been engaged in the healing arts for over 10 years. Their practice is influenced by classical astrology, modern psychological astrology, and their studies in the healing arts. As an herbalist, they weave astrology with their deep connection to the earth and the body.
Oak’s work with astrology is informed by their experience as a queer first generation Filipinx American (they/them). They use astrology as a guidepost for the navigation of the material, ancestral, cosmic and practical. They are honored to share this work that has fully changed their life and continuously graces their life with knowledge, guidance and depth. They have been blessed to draw close other healers as students, especially BIPOC, LGBTQ and other Filipinx healers.
As a teacher, they are clear, practical and magical. Teaching astrology is to share divine love, it is the grace of the universe and the language of all things. They are currently writing a book titled Astro Lifestyle.
Gather a group of friends in person if it’s low-risk or on Zoom. Use these prompts to structure a conversation:
ALTAREDSTATES is made possible with generous support from the New England Foundation for the Arts’ National Theater Project, with lead funding from The Andrew W. Mellon Foundation and additional support from the Doris Duke Charitable Foundation. Additional support provided by the Sundance Institute Theatre Lab.
Produced by CalArts Center for New Performance.
ALTAR NO. 1 is commissioned by The Public Theater, and created with support from CalArts Center for New Performance and New York Live Arts’ Live Feed Residency, with funding from Rockefeller Brothers Fund, National Endowment for the Arts, New York City Department of Cultural Affairs, Stavros Niarchos Foundation, and the Partners for New Performance.